POP BLACK POSTA (Original Motion Picture Soundtrack)
POP
BLACK POSTA (Original Motion
Picture Soundtrack)
Director Marco Pollini
Music Composed by Marco
Werba
Director Marco Pollini
Music performed by the
Bulgarian National Radio
Symphony Orchestra, conducted
by Marco Werba
Piano solos: Rea Bisha
Cello solos: Christo Tanev
Mixed by Marco Streccioni at
the Stone Recording Studio in Rome. Assistant: Gabriele Conti.
Label Plaza Mayor Company
Ltd
Distribution Sergent Major
Company Ltd – The Orchard
What would happen if someone spy your mail? This is what a wild and
over the lines group of characters will discover in a claustrophobic atmosphere
and over the lines. When a reassuring place as a post office turns into a
nightmare, the only way to get out of it is to test yourself: secrets kept
jealously will pop up while Good and Bad become increasingly difficult to
recognize.
Notes from the composer
I met director Marco Pollini
through writer Debora Scalzo. Marco told me about a thriller in preparation for
the title "Pop Black Posta".
The story was captivating: A woman kidnaps some people inside a post office,
apparently without a reason. Only at the end the motivations, and the anger
that had pushed her to make this gesture, to the extreme consequences, will be
understood. Marco Pollini did a great job with the actors and the film manages
to communicate fear, anguish, despair but also hope. In previous years I had
already had the opportunity to work for captivating thriller movies, such as
"Giallo" by Dario Argento,
for which I had won three awards, "Colour
from the Dark" by Ivan Zuccon, "Jack Attack" by Bryan Norton and Antonio Padovan , "Mr Hush" by David Lee Madison,
"The Inflicted" by Matthan
Harris and "Native" by
John Real (for which I won the italian "Golden Globe"). This was
therefore another interesting opportunity to write a film score that could again
communicate strong emotions. As you know, there are two schools of thought for
thriller soundtracks, the first is based on a symphonic orchestral music, the
second on an experimental electronic music. In this film I tried to merge the
two schools of thought together, mixing the "Bulgarian National Radio
Symphony Orchestra" with disturbing electronic sounds, to wrap the viewer
and make him more involved in this compelling storyline. We went with the director
to Sofia, together with sound engineer Marco Streccioni and his assistant
Gabriele Conti, and we recorded the orchestra with a mix of digital sounds
synchronized with the images. Alessia’s theme, for piano and strings, is the
cornerstone of this soundtrack and is linked to the protagonist, played by actress
Antonia Truppo. In a second moment I asked my collaborator Federico Ricci to
write an additional music theme for the final scenes, to enrich the existing
musical themes and introduce new thematic material. We recorded all the music
in 5.1. at the studio "Stone Recording Studio" in Rome and the final
mix of dialogues, music and sound effects was done by Gianfranco Tortora at the
studios "Il Suono del Sud". We worked hard to find a balance between
the various components of the soundtrack and the right volume between music and
sound effects.
I am delighted to have worked again with Jacques Dejean and “Plaza Mayor”,
with whom I had already had the chance to team up for the action/thriller
"Dead on Time".
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