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Showing posts from July, 2019

THE WARDEN (Original Motion Picture Soundtrack)

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THE WARDEN (Original Motion Picture Soundtrack) Director Nima Javidi Music composed by Ramin Kousha Label Plaza Mayor Company Ltd Distribution The Orchard A prison is about to be evacuated to make room for an airport expansion project. Colonel Jahed and his officers are busy transferring all inmates to the new facility, but one inmate is missing. The Warden (Original Motion Picture Soundtrack) on Spotify R amin Kousha is an Iranian-raised, Los Angeles based composer. Classically trained from the age of six Ramin has developed wide technical backgrounds with an expertise in unique artistic approaches including electronic and orchestral. His music is heard in numerous projects covering a variety of formats such as feature films, documentaries, TV series, and video games. Shortly after learning music theory and performing piano in various orchestras, Ramin realized his passion for composing. This eventually led him to study and work for the well-known Iranian cla

VIVENDI TO APPOINT BANKS FOR UNIVERSAL STAKE SELL-OFF ON THURSDAY – REPORT

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France-based media giant Vivendi will appoint “several investment banks” tomorrow (July 25) for the sale of up to 50% of its subsidiary Universal Music Group (UMG). Today’s news, reported by Reuters citing a source close to the matter, follows Vivendi’s assertion last month that it is “very confident” the UMG sale process will be ignited by the end of the year. When Vivendi initially announced its intention to sell off up to half of UMG last July, it suggested that it could possibly complete the UMG process by the end of January 2020. In May this year, a Bloomberg report suggested that Vivendi was facing difficulties in the sale process of UMG, citing sources who said that “some private equity investors balk at the high price and slow pace of the deal”. 5th Passenger (Original Motion Picture Soundtrack) by Ramin Kousha That report also revealed that Vivendi held preliminary sale talks with Tencent Holdings about making a minority investment in UMG. Speaking to Bloomber

POP BLACK POSTA (Original Motion Picture Soundtrack)

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POP BLACK POSTA (Original Motion Picture Soundtrack) Director Marco Pollini Music Composed by Marco Werba Director Marco Pollini Music performed by the Bulgarian National Radio Symphony Orchestra, conducted by Marco Werba Piano solos: Rea Bisha Cello solos: Christo Tanev Mixed by Marco Streccioni at the Stone Recording Studio in Rome. Assistant: Gabriele Conti. Label Plaza Mayor Company Ltd Distribution Sergent Major Company Ltd – The Orchard What would happen if someone spy your mail? This is what a wild and over the lines group of characters will discover in a claustrophobic atmosphere and over the lines. When a reassuring place as a post office turns into a nightmare, the only way to get out of it is to test yourself: secrets kept jealously will pop up while Good and Bad become increasingly difficult to recognize. Pop Black Posta (Original Motion Picture Soundtrack) on Spotify Notes from the composer I met director Marco Pollini through

AFTER US SLOWDOWN, NOW AUDIO STREAMING GROWTH SHRINKS IN THE UK

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Those who predicted that the growth of audio streaming would begin to slow down in the world’s biggest music territories in 2019 were correct. And while the margin of that deceleration is nothing to panic about just yet, it does already hint that, for the global recorded music business to reach its potential in future, it’s going to need to ramp up its progress in so-called ‘developing’ markets. Recently reported that on-demand audio streaming volume in the United States reached 333.5bn plays in the first six months of the year. As revealed by Nielsen data, that was up 27.8% on the 261.0bn streams recorded in the equivalent period of 2018. However, in real growth terms, this was a less positive story. In H1 2018, US streaming volumes rose by  76.6bn  year-on-year, but in H1 2019, Nielsen’s stats showed, this annual increase had fallen to  72.5bn  – down by over a billion plays. Dead On Time (Original Motion Picture Soundtrack) The United States is the biggest recorde

INVINCIBLE DRAGON (Original Motion Picture Soundtrack)

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INVINCIBLE DRAGON (Original Motion Picture Soundtrack) Director Fruit Chan Music composed and performed by Day Tai Label Plaza Mayor Company Ltd Distribution Sergent Major Company Ltd – The Orchard The undercover agent with dragon tattoo Kowloon continually helped the police to solve mysterious cases, which made him known as a rising star. However, his impulsive personality dragged him into endless troubles. 九龍不敗   Music Credit   Kowloon Hong Kong 監製   Produced by:   戴偉( Day Tai) 編曲 Arranged by :   李寶瑜   (Labroe Lee) 主唱 Performed by : 李安琪 (ANGELITA LI) Kowloon Hong Kong Dance Version  編曲 Arranged by :   李寶瑜   (Labroe Lee) I was stronger before  曲編監   music by:   戴偉 Day Tai 填詞 lyrics by: 鍾宛姍 (Chung Uen Shan Olga) 主唱 Performed by : 李安琪 (ANGELITA LI) Didgeridoo  澳洲吹管: 劉俊豪(黑鬼) Lau Chun Ho,Hakgwai Strings Sections: 1st violin:  一提琴:张毅    李叶波    林淋    方海燕   黄隽    郝宝珠    易岸兮 2nd violin  二提琴:罗菁    郭慧    王佳奇    王闯    毛璧君

SCOTT BORCHETTA: BIG MACHINE OFFERED TAYLOR SWIFT THE CHANCE TO OWN HER MASTERS

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The news that Scoot Borchetta’s Big Machine Label Group was being sold to Scooter Braun’s Ithaca Holdings for circa $300m has caused some major fallout. In response to the news, Taylor Swift – whose first six studio albums are owned by BMLG – penned an open letter in which she claimed that the sale of her masters to Braun was beyond her “worst nightmares”. Swift suggested that she learned about the BMLG buyout “as it was announced to the world”, despite her father, Scott Swift, being a minority shareholder in Big Machine. (He is thought to own 4% of the company now being sold to Braun.) In addition, Swift claimed that, despite having “pleaded” with Borchetta to take ownership of her masters, the closest she came was a contract renewal offer from Big Machine which would have enabled her to “earn” back the rights to her albums one-by-one. She rejected this offer, she says, in favor of her new deal with Universal Music Group. Swift claimed: “[I]  was given an opportunity to sig