Cultura Voice

EL COMPLOT MONGOL (Original Motion Picture Soundtrack) Director Sebastian Del Amo Music composed by Andres Sanchez Maher, Gus Reyes, Dan Zlotnik Label Plaza Mayor Company Ltd Distribution Sergent Major Company Ltd The Orchard CD Digital & Vinyl Limited Edition USA & MEXICO Cinema 18 th April 2019 In the height of the Cold War, and we are in Mexico City. Filiberto Garcia is a sixty-year-old Mexican policeman. Over the course of his life he has killed people: men, women, a priest. But what he once did to help his country transform itself into something better, he now does strictly as a job. By the 1960s, the Mexican politicians have long since betrayed the Revolution. Cold, duplicitous figures who occupy offices in their suits now pull the strings. They of course kill also, but they never do the dirty work themselves. They need others to do it for them, and that's where Garcia, comes in. Damn International intrigue. El Complot Mongol on S

Last week India-based Gaana claimed to be the country’s first music streaming service to hit 100 million Monthly Active Users (MAUs). Gaana’s Chief Executive Officer Prashan Agarwal then added that the platform expects to reach 200m MAUs in the next two years. Although Gaana’s latest milestone is impressive, it’s not alone: another hugely popular service in India, JioSaavn, has also surpassed the 100m mark, can reveal. According to sources close to the company, JioSaavn currently has  104m  MAUs as of today (April 29). Those same sources claim this figure is enough for the platform to stake its own claim as ‘India’s largest music streaming service’. For comparison’s sake, Spotify, today (April 29) that it ended Q1 2019 with 217m MAUs globally, and over 2m users in India. Within those 217m MAUs, Spotify counts over 100m paying subscribers. The JioSaavn platform in its present-day form is the result of a merger between Saavn and rival service, the Reliance Industries-owned

Péplum : muscles, glaives et fantasmes (Bande Originale du Documentaire) Réalisateur Jérôme Korkikian Musique Originale Maximilien Mathevon Label Plaza Mayor Company Ltd Diffusion ARTE le 21 Avril 23.05 And ARTE Replay En plus d’un siècle, le péplum s’est fraye un chemin dans la culture populaire a coups d’épées et de héros bodybuildés. Décryptage d’un genre à part entière. PEPLUMS, MUSCLES, GLAIVES ET FANTASMES raconte l’histoire du genre péplum dans le cinéma, depuis ses débuts dans l’ère des films silencieux jusqu’à notre ère moderne. Quant à la musique, je voulais fusionner les sonorités du péplum traditionnel avec la musique électronique moderne. D’où l’utilisation de trompettes massives et des échantillons de cornes ainsi que des chœurs dans un fond électro. L’utilisation de la musique électronique est destinée à créer un décalage avec le ton attendu de la musique. J’ai aussi utilisé duduk et cymbalum, utilisé dans les péplums plus récents.

A free, ad-supported YouTube Music service has been rolled out for Google Home users. Starting today (April 18), the free service is available on smart speakers  in the United States, Canada, Mexico, Australia, Great Britain, Ireland, Germany, France, Italy, Spain, Sweden, Norway, Denmark, Japan, the Netherlands, and Austria and will be available in more countries soon. Not only is it for free on Google Home devices, but also on other third-party, Google Assistant-powered speakers, manufactured by the likes of Panasonic, JBL, Sony and others. To set up YouTube Music as the default music service on Google Home, if you already have a Google Home device, you’ll need to navigate to Account Settings in your Google Home app, tap Services and select Music. Then, select YouTube Music as the default music service. If you are setting up a new Google Home speaker, choose YouTube Music as the default music service during the setup process. “THIS ANNOUNCEMENT IS JUST ONE EXAMPLE OF

CHRISTINA GOH – Album “BEST OF” Christina Goh – Album “Best Of” Label Plaza Mayor Company Ltd Distribution Sergent Major Company Ltd The Orchard En Concert Exceptionnel le 18 Avril 2019 Sunset Sunside – Paris De Montréal à Abidjan en passant par Londres, membre du jury des 15èmes Independent Music Awards aux USA, Christina Goh a illustré sur des scènes internationales sa technique vocale pour les percussions à haute portée avec des configurations uniques : 13 cordes de basses, percussion, voix entre autres… Ainsi que des collaborations inédites avec le monde médiéval occidental. Après une douzaine de réalisations discographiques, des adaptations de titres psychédéliques inédits anglais en français et des fusions artistiques entre poésie, photographie, sciences humaines et musique, l’essayiste présente aujourd’hui son nouvel album sous le label international Plaza Mayor Company Ltd., un best of exceptionnel pour une carrière atypique ! Pour cette soirée iné

Entertainment One has entered into an agreement to acquire 100% of the shares of UK-based Audio Network Limited (Audio Network) – a production music specialist and one of the world’s largest independent creators and publishers of original music for use in film, television, advertising and digital media. The buyout is being valued at approximately US $215 million. The announcement was made today (April 11) by eOne’s President and CEO Darren Throop, with Global President, Music Chris Taylor, and alongside Audio Network’s Founder & Chairman Andrew Sunnucks and CEO Robb Smith. Audio Network, with nine offices worldwide, boasts an expansive catalogue of over 150,000 fully-owned tracks, in addition to relationships with more than 1,000 composers, singer-songwriters and emerging commercial artists. Entertainment One says this talent will ‘benefit from [eOne’s] rich traditional record label services and extensive film, television and brand capabilities’. It adds: ‘The addition o

LOS SILENCIOS (Original Motion Picture Soundtrack) Director Beatriz Seigner Music composed and performed by Nascuy Linares Selection Quinzaine des Realisateurs – Cannes Festival Label Plaza Mayor Company Ltd France – Brazil cinema 3th April 2019 Nuria, 12 ans, Fabio, 9 ans, et leur mère Amparo arrivent dans une petite île au milieu de l’Amazonie, à la frontière du Brésil, de la Colombie et du Pérou. Ils ont fui le conflit armé colombien, dans lequel leur père a disparu. Un jour, celui-ci réapparait dans leur nouvelle maison. La famille est hantée par cet étrange secret et découvre que l’île est peuplée de fantômes. Nuria, 12, Fabio, age 9, and their mother Amparo arrive on a small island in the middle of the Amazon, on the border of Brazil, Colombia and Peru. They fled the Colombian armed conflict, in which their father disappeared. One day, this one reappears in their new home. The family is haunted by this strange secret and discovers that the island is po

The blockbuster album has begun looking like something of an endangered species in recent times. The birth of the streaming era, rooted in a track-led culture, has caused artists and record labels alike to question the future of the LP in an age dominated by playlists. The evidence: over 60% of Spotify streams for Drake’s record-breaking, 25-track Scorpion album are of just three songs (God’s Plan, In My Feelings and Nice For What). One recent study even suggested that a mere 16% of adults in the UK are now listening to an album all the way through in any given month. A couple of weeks ago, Apple Music boss Oliver Schusser  of his hope that Billie Eilish’s debut studio album, When We All Fall Asleep, Where Do We Go? , would strongly challenge this trend – and prove that, on the right terms, the album as a body of work still had great relevance amongst a young streaming audience in 2019. The stats are now in, and Schusser’s confidence was not misplaced. Reveal that, on