Cultura Voice

  WHO WE BECOME Original Motion Picture Soundtrack Director PJ Raval Music Timo Chen Label Plaza Mayor Company Ltd Netflix documentary Kapwa, a Filipino term that means "togetherness" or "neighbour", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives? Who We Become Ost on Spotify As the world grapples with an emerging global pandemic, three young Filipino women forge unexpected connections with their families and discover themselves in the process. A self-documented time capsule during turbulent times, WHO WE BECOME captures the unbreakable bond between Filipino family and community. Who We Become Ost on Apple Music This soundtrack is largely made up of tradi ti onal Filipino and addi ti onal Asian instrumental textures set within a Texas-influenced ...

  Shaky Shivers (Original Motion Picture Soundtrack) Director Sung Kang Cast Brooke Markham, Vyvy Nguyen, Jimmy Bellinger Music by Timo Chen Two young women find themselves at an abandoned camp in the woods with a book of magical spells surrounded by classic monsters in this comedic send up of ‘80s horror films. Shaky Shivers Ost on Spotify The Director Sung Kang is a Korean-American actor and producer from Clarkston, Georgia who is widely known for playing Han Lue from the Fast & Furious series of films and Better Luck Tomorrow. He also acted in Raya and the Last Dragon, Pearl Harbor, Ninja Assassin and Obi-Wan Kenobi. He is married to Miki Yim. Shaky Shivers Ost on Apple Music Sung Kang called me up and asked me to write music that was reminiscent of summer camp in the deep woods, but with hints of horror, comedy, and absurdity to it.  How appropriate the timing of this call was as we were just getting out of the pandemic—a time of horror, comedy, and absurdity, ...

In 2012 there were just three cinemas in Beijing dedicated to art house films. That’s low for a city of 20 million inhabitants and the capital of China’s booming film industry, which is now the world’s second largest in box office terms. And while Chinese films have consistently won major prizes at top festivals — hard-hitting documentary “Mrs Fang” took the Golden Leopard at August’s Locarno festival — there exists a gulf between China’s embattled auteur sector and the exposure of those films in their home country’s theaters. That disconnect appeared to have been tackled with the launch last October of the Nationwide Alliance of Arthouse Cinemas. The alliance took flight with some 100-member screens and stretched across 31 of China’s provinces and regions. Numbers were billed as growing to 300 screens within a year. And that looks on course. “Manchester by the Sea” was cleared for release on 275 screens in 185 cinemas. The Alliance includes: the China Film Archive, the ...