MORIR NO SIEMPRE SALE BIEN (Banda Sonora Original)

 

MORIR NO SIEMPRE SALE BIEN

(Banda Sonora Original)

Director Claudia Pinto

Cast Tamara Casellas, Ana Wagener, Juan Carlos Vellido

Músic Vanessa Garde



Rosario's husband and brother have lost their jobs after being unfairly fired. To pay off their debts, they decide to kidnap their boss's corpse and demand a ransom. But Inés, the wealthy wife of the deceased, and her children have other plans. Despite coming from completely different worlds, both families will be forced to exchange far more than just a body. Because… who said happiness comes for free? And what price are we willing to pay for it?

Morir on Spotify

CLAUDIA PINTO (Directora)

"Morir no siempre sale bien" is a black comedy with underlying social critique that moves between two seemingly extreme worlds: a working-class family and a wealthy family, who find themselves forced to work together in order to flee from the police. The music supports the gymkhana the characters are plunged into, maintaining the difficult balance between thriller and comedy. At the same time, it moves nimbly between the intimate and the ironic. Sometimes it ironizes about reality and takes on the role of the narrator who, like a voyeur, enjoys what is happening, and other times it looks at the story from the intimacy of the characters, empathizing with them. The result is a powerful soundtrack, one that has been key to giving the story that brazen, rowdy and, at the same time, profound tone — one that makes you laugh while it freezes the smile on your face.

Morir on Fanlinks

VANESSA GARDE (Compositora)

"Morir no siempre sale bien" has been a musical challenge, one more within the collaboration with Claudia Pinto, with whom she trusts in always seeking a musical narrative with personality, one that accompanies the story and that shows and plays with the gaze (and the ear) of the viewer, so as not to grow comfortable, nor miss a single detail.

It is a black comedy, with intimate touches in some peculiar family relationships, in a Mediterranean setting, in a suffocating summer, where the characters reach unsuspected limits in order to "fight" for their dignity, with the mothers of two families as pivotal points, without losing their way and trying to keep their families together, amid the curious situations.

Musically, we have a peculiar palette, with orchestra, accordion, double bass, some more Mediterranean guitars/plucks, even passing through a lyric soprano… The varied situations lead us to unexpected palettes and intertwined stories that trace the musical map. We will not forget the heart of the story, at times touching its most intimate side to remind us that, in the end, every act arises from the most intimate love for family. Enjoy the soundtrack and the film!

Morir on Tidal

 Compositora y producción musical VANESSA GARDE

Arreglos y programaciones ALBERTO PINZÓN

JOÃO VITOR COSTA DIAS VANESSA GARDE

Orquestación NEREA ALBERDI

JOÃO VITOR COSTA DIAS

Ingeniero de mezcla MIKEL F. KRUTZAGA Ingeniero de grabación JOSE LUIS CRESPO

Edición musical/asistente JOÃO VITOR COSTA DIAS

Guitarras OVIDIO LÓPEZ

Batería ANDRES LITWIN

Estudio de grabación banda SMALL ROOM STUDIO (Torrelodones, Madrid) Orquesta BUDAPEST ART ORCHESTRA

Director de orquesta GYORGY GULYAS NAGY

Estudio orquesta OPERA EIFFEL ART STUDIO BY EAST CONNECTION MUSIC RECORDING

Ingeniero ProTools DAVID LUKACS

Ingeniero de grabación GABOR BUCZKO

Productor de grabación/ MIKLOS LUKACS

Morir on Apple



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