BLUE EYES - OCCHI BLU (Original Motion Picture Soundtrack)

 


BLUE EYES - OCCHI BLU

(Original Motion Picture Soundtrack)

Director Michela Cescon

Music by Andrea Farri

Featuring Paolo Fresu & Luigi Piovano

Tormina Festival - Italy - Uk - Usa Cinemas....

A lone robber, riding a different maxi scooter each time, robs one bank and a jewelry store after another, squeaking at great speed through the folds of Rome, between its ancient beauties and its urban archaeologists, always managing to sow its pursuers and finally vanish into nothingness.

The case is in the hands of a Roman commissioner, true and cynical who, failing to get to the head of it, asks for help from a friend of his Parisians, called the French, a former commissioner famous for his psychological insight and for resolving dozens of impossible cases. Everyone except for the death of their daughter, whose anniversary she returns to the city every year. He will discover the identity of the robber, a person who is as unsuspected as he is of great intelligence, with whom he engages in a challenge with unpredictable consequences.

Blue Eyes Ost on Spotify

Statement By Michela Cescon, Director

        “Blue Eyes” experiments with genre in this personal rendition and tribute to the French Polar film. It is light on dialogue, heavy on atmosphere, with melancholy, romantic characters: two police chiefs, one robber, a scooter, a young mechanic… and the city. Rome and the waves of traffic coursing through its streets and the solitary, empty nights between Rome’s Pyramid, white as the moon, and the Coliseum at dawn keeping watch over challenges and revenge. 

Blue Eyes Ost on Apple Music

There are no landscape shots. Each frame tells the story through the emotions they elicit. Indoor shots are minimalist. The architecture furnishes the places, playing with space and light. Much is understood about each character as they move through these intentionally empty spaces. The film was shot in wide-angle – typical of this genre – using CinemaScope, which provides depth and makes it necessary to choose certain points of view. In “Blue Eyes” we don’t need to see everything, just what helps create the story. Cinema is also about what you choose not to show. The photography is so “material” – emphasizing contrasts, details and distances – you can almost touch it.

Blue Eyes Ost on Soundcloud




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